Shadows of the Empire

Shadows of the Empire: The Movie-Without-the-Movie Extravaganza of 1996

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In 2015, I conducted a series of interviews with some of the people who worked on the Shadows of the Empire project concocted by Lucasfilm back in 1996. I loved the project, warts and all, from the moment it was released so it was a joy to conduct these interviews and gain multiple inside perspectives on what it was like to create such an expansive project. The essay was written for the Expanded Universe anthology called A More Civilized Age: Exploring the Star Wars Expanded Universe (2016) from my friends Rich Handley and Joe Berenato. I’ve decided to reprint the essay here on my site because I feel it sheds some more light on the nearly 30-year-old project and ended up revealing a few facts that were previously unknown to me about the inner workings of Lucasfilm at the time.

I’ve slightly edited this essay for the Internet by removing footnotes and changing them to links, and other small things like that. All quotes, unless otherwise indicated, are from my interviews. For more fun, head over to Facebook and like my Shadows of the Empire fan page.

I hope you enjoy the essay.

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The Empire Strikes Back – First Draft by Leigh Brackett

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Download: Star Wars Sequel by Leigh Brackett

The Empire Strikes Back came out in 1980 and even as a 10-year-old, I remember reading about an early version of the script written by a Sci-Fi author and screenwriter named Leigh Brackett. She turned in a first draft and passed away from Cancer in 1978. This draft was based on a story outline from George Lucas.

From there, as the story goes, Lucas tried his hand at a draft or two but then turned those drafts over to Lawrence Kasdan who ultimately penned the script, although Brackett was still credited. It’s unclear as to the reason why, but it’s assumed that this was a professional courtesy since not many people really knew if any of her work ended up in the final version.  Many interviews with Lucas and others who had seen the draft implied that it beared very little resemblance.

For years, this elusive draft seemed like a “holy grail” of sorts to Star Wars aficionados. In 2010, however, I was shown a scanned version of what appeared to be this draft by Brackett. It came complete with handwritten notes, crossed out words, and matched up with just about every description of the actual thing you could think of. If it was a forgery, it was an elaborate one.

At Starwarz.com, I also host a site called Starkiller. This small group of people specialize in Star Wars scripts. Being that I’m a member, we posted the script online and it’s the most popular download on the site.

At first read, you do get the distinct impression that it’s very different, but it’s mostly the dialogue. Many of the concepts and scenes are still intact.

SOME noticeable differences include:

  • Han is never frozen and there are no bounty hunters like Boba Fett
  • Lando has a different last name (Kadar) and a lady friend
  • Planet names are different or changed around
  • Yoda is called “Minch”
  • Han is sent on a “mission” to speak to his powerful Step-father (which is supposed to be part of the next film)

and the biggest one of all…

  • Darth Vader and Luke’s Father are TWO DIFFERENT characters

Luke’s father, simply referred to as SKYWALKER in the script, shows up in ghost form along with Ben while Luke is being trained. What’s more is he also tells Luke about his sister – who is not Leia. Her name is Nellith. Luke takes the oath of the Jedi along with his Father, Ben and Minch (Yoda).

It’s clear that Lucas wasn’t sure on the direction he was going with the whole Anakin/Vader story yet. It makes you think about Lucas’ explanation of how the whole saga was always supposed to be about Anakin Skywalker. When Empire was being made, it seems he had no idea about this. Nor did he know that Leia would be Luke’s sister, which explains his non-reluctance to having them romantically linked in the film. Was he shooting from the hip then, and is he now rewriting history?

Other than that, you’ll see that the general framework and outline from Lucas is pretty much there. Not much of Brackett’s dialogue remained but some of her spirit did.

For fans, this is a great find and a great read so I’m happy to be able to share it here as well as over at the Starkiller site.

Enjoy reading it and please leave some comments.

Download: Star Wars Sequel by Leigh Brackett

 

The Lost Cut of Star Wars

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There are many phases associated with making a film. First there’s the preproduction phase, where much time needs to be invested otherwise you’re flying blind for the rest of the production. There’s the actual shooting of the live action, known as the production phase, which is where you capture your vision on film. Then there’s the postproduction phase, where everything comes together and you use your skills and talents to create an end result that’s pleasing to not only you but hopefully to everyone who sees it. In between those three phases, however, lie many sub-phases too numerous to mention here. From writing and casting to lighting and cinematography to editing and looping dialogue; the process can be very involved but it’s that end result, the zenith of the director’s vision and the crew’s hard work, which makes it all worth it. Getting to that point is the real challenge. Read More